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Death Fucking Metal is the third and final film that is part of a trilogy. Theys his two previous films, Fanfare, Calme & Volupté (2007) and Patria (2008), are respectively the first and second part. In all three video works, we see a group of people dressed up in costumes. They all lie still - as in a state of depression - in a spectacular, staged environment. In part one they all wear the classic outfit of marching-girls, in the second part the official uniforms of the riot police, and in this last part, the third, they wear the anti-uniforms of rock fanatics and stars alike.

Death Fucking Metal was recorded in a velodrome, an arena for track cycling located next to the museum of contemporary art in Ghent. The recordings were, due to their public accessibility, also a performance, which took place during the opening of Home-made Victories, the solo show by Koen Theys in S.M.A.K. on March 29, 2013.

Amidst the arena, Koen Theys placed a slowly rotating, three-tier circular stage. On it, some thirty old rock stars are scattered among their instruments and amplifiers. Their rough outfits, guitars and drums alike, shine in the spotlight. A burst of dazzling light pierces the smoke on stage. All the necessary ingredients for a spectacular concert seem to be present, but the musicians lie totally weakened and depressed on the platform, barely able to produce a decent note of music. Yet, now and then, a seemingly wasted rock star succeeds to murmur a famous line from an equally famous rock song, but these are nothing but vain attempts that cannot prevent us from thinking that the concert is nearing its death.